6' / color / stereo / beta sp / 2006
 
his film is about the concept of memory.
images from the kahlenberg-hotel/vienna are compiled, deconstructed and de-contextualized.
narrative logic of space and time is ignored. a subjective, emotive interpretation causes the evolution
from collection to process to product.
the intersection of these categories show the disassociation between lived and narrated experience,
being and representing, which is at the heart of our mediated society.
 
 
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